Without pandering, they seek to satisfy both your ear and your understanding. They are clear-eyed, empathetic and penetrating. His songs present themselves to you with an open heart, an innate intelligence and an absolute lack of pretension. You don’t have to work hard to enjoy Rouse’s music. “Like a baseball player who quietly hits 30 home runs every year or a golfer who regularly finishes in the Top Ten, Josh Rouse's continued streak of excellence is easy to ignore and maybe even downplay a little” - Tim Sendra, Thank you for your continued cooperation and support. Face shields, gaiters and bandanas are not acceptable as primary face coverings. Effective face coverings must completely cover the nose and mouth and must be worn at all times unless actively consuming food or beverage. Louis City health department mandate, face coverings are required to be worn when inside public places, by those 5 years and older, regardless of COVID-19 vaccination status. Proof can be in the form of either your physical COVID-19 vaccination card or a photo on your phone.įace masks will still be required while inside the venue. Check specific show listings to be certain. No self-administered tests will be accepted.
Some shows will also accept a Negative COVID-19 Test administered by a doctor or a pharmacist within the previous 72 hours.
#JOSH ROUSE SUBTITULO FULL#
Several companies rebuilt Kiev 60s to iron out some of its more niggling qualities, including Arax, which is still selling factory-fresh bodies and lenses from the old Kiev factory in the Ukraine, nearly 50 years after Kiev started making the 6C.Effective Friday, admission to our shows will require proof of a full dose (2 shots of Moderna/Pfizer, or 1 shot of Johnson & Johnson) of a COVID-19 Vaccination. The Kiev 60 might not have had the quality control of its Japanese, Swedish or German rivals, but its array of lenses included some of the best to come out of the USSR. The Kiev 60 is a beast of a camera based on the old East German Pentacon Six via the interim Kiev 6c it’s built like an SLR camera on steroids, weighing a good couple of kilogrammes with its bulky TTL prism attached. The Reala has really picked out the warm tungsten tones, and that red light looks more like its coming from a fire than an electric light. One lamp, and a Kiev 60 medium format camera loaded with Fuji Reala print film. The set up when I shot these pictures at a London studio was pretty simple. My approach to shooting portraits is to use available light – either from a window or lights. There are photographers who can do amazing things with a complicated rig of flashes and fill-in lights I’m not one of them.
The shot you see here is my favourite from the session. Having already begun my soundcheck photography project, I then shot Josh and band several times over the next few years whenever he was in London – and ended up doing the publicity shots for his next album, 2006?s Subtitulo. I first met Josh Rouse on a trip to Nashville in 2000 to interview Lambchop‘s Kurt Wagner for the Independent on Sunday years later, I met him again around the time of his album Nashville, a love letter to his adopted home city shortly before he moved to Spain. His 1998 debut album Dressed Up Like Nebraska is filled with a beautiful sense of loss and longing, while 2003?s 1972 is a time capsule pastiche, taking the listener back to the year of his birth, alive with the sounds of Stevie Wonder, David Bowie and Carole King. Josh Rouse is one of the most criminally under-rated songwriters around. Shot On A Kiev 60 With Just A Single Lamp For Illumination